By Henry Louis Gates Jr.
Greater than thirty-five years after the dying of Martin Luther King, Jr., american citizens ask yourself simply how a lot of his dream has come precise. Now well known student and ny instances bestselling writer Professor Henry Louis Gates, Jr., examines the excellent social and monetary trip African americans have made because the civil rights period. utilizing the interviews he performed for his groundbreaking PBS sequence, Professor Gates introduces us to forty-four participants from each section of the African-American community-from Maya Angelou and Morgan Freeman to convict "Eric Edwards" and a unmarried mom on Chicago's South part. of their personal candid, deeply felt phrases, every one discusses what it skill to be African American within the twenty-first century: the fun, the issues, the perils. jointly, they exhibit a group united via reminiscence and tradition but divided through wealth and absence of opportunity...in an the USA nonetheless suffering to make sure real equality for all.
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Additional resources for America Behind The Color Line: Dialogues with African Americans
Wrapped in the Flag The first epigraph to this chapter reminds us that, in addition to the symbolic significance with which flags are invested, bearing the colors meant leading men into battle—and consequently serving as a conspicuous and prized target for enemy fire. Along with his brother J. Rosamond Johnson and Bob Cole, Black Sergeants and White Colonels 35 James Weldon Johnson in 1901 wrote a popular tune dedicated to Sergeant William H. Carney of the Fifty-Fourth Massachusetts entitled “The Old Flag Never Touched the Ground” (later used as the finale to Cole and Johnson’s The ShooFly Regiment, a production that reached Broadway in 1907, which included scenes set during the Philippine-American War).
Blacks to the Stars and Stripes, invoking their long history of service in war, including the conflict against those whites who betrayed that flag by seceding from and seeking to destroy the union. S. black poems about the Cuban Revolution and the participation of African Americans in the war against Spain, namely bravery, military heritage, martyrdom, racial stigmatization, and flag bearing. Building on the double meaning of its main title, Johnson’s poem emphasizes the carrying of both the battle standard and the burden of race.
1 Complicating matters, his first and fourth novels not only have open-ended conclusions but also give nearly equal time to coprotagonists with contrasting worldviews and political agendas. 2 The idiosyncrasies, ambivalences, and ambiguities of Griggs’s texts, coupled with the tendency of critics to read them in binary terms, have resulted in widely diverse and in some cases starkly discrepant responses to the author. These include characterizations of Griggs as a militant (Gloster, Tucker, Lamon), radical black Baptist (Frazier), accommodationist (Bone), black nationalist (Gayle, Moses, Gillman), black chauvinist (Logan), marginal (Fullinwider), transitional (Elder), melodramatic sentimentalist (Rampersad), near-futurist (Tal), black utopian (Fabi, Winter, Kellman), and sensationalist (Knadler) novelist, who, in the eyes of some scholars, admired Booker T.
America Behind The Color Line: Dialogues with African Americans by Henry Louis Gates Jr.