By Helen Wilcox
1611: Authority, Gender, and the notice in Early sleek England explores problems with authority, gender, and language inside and around the number of literary works produced in a single of such a lot landmark years in literary and cultural history.
- Represents an exploration of a 12 months within the textual lifetime of early glossy England
- Juxtaposes the diversity and diversity of texts that have been released, performed, learn, or heard within the comparable 12 months, 1611
- Offers an account of the textual tradition of the 12 months 1611, the surroundings of language, and the guidelines from which the accredited model of the English Bible emerged
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Additional resources for 1611: Authority, Gender and the Word in Early Modern England
The use of the old calendar for the date of the original delivery ‘The omnipotency of the word’ 21 of the sermon ironically hides the urgency with which it was printed. However, what matters in terms of the way early modern writers and readers thought about time is that the year functioned as a unit of experience and, far from being an anachronistic concept, was referred to within the texts of the period. The author of Coryats Crudities, for example, was hailed as an early modern equivalent of a literary prize winner or writer of the year, ‘the very Primrose of the Authors of this presen[t] yeare 1611’ (Coryate, Crambe, A1r).
To take one example of the genre, William Savage’s Savage 1611: a New Almanack and Prognostication was a compendium of useful information containing a fascinating mixture of practical and speculative material such as the times of high and low tides, the best periods for planting and harvesting, the dates of legal and university terms, horoscopes for the coming year, the best planetary alignments for carrying out medical treatments and when it might be auspicious to have a bath. Savage’s Almanack also implies a frank admission that certain everyday patterns of life continued in spite of the Reformation: it contains not only the dates of Easter and other moveable feasts but also a list of saints’ days.
Trumbull was a diplomat in the Spanish Netherlands (Butler 191, Anderson) and is likely to have been reporting back to contacts in Brussels, which explains his rationalisation of the hasty dismantling of the sets in terms of the ‘strange custom’ of the English. It is tempting to draw a parallel with the description of an abandoned masque in a play performed on 1 November of the same year in the same Whitehall Palace – Shakespeare’s The Tempest. 150–5). For all its elaborate artistic skill, the masque is an emblem of fleeting revelry, paradoxically emphasising the illusory nature of the authority that it seeks to celebrate.
1611: Authority, Gender and the Word in Early Modern England by Helen Wilcox